For those of you that haven't or couldn't attend book club lately, we'll be publishing the previous months' discussion questions here. I hope eventually to post discussion questions for all of the books we've covered since I took over a couple of years ago and beyond, all the way to the beginning over a decade and a half ago. It will take a while. Until then, we will be posting discussion questions on a weekly basis. Here are the questions from a 2015 title, Big Little Lies. We hope these questions spark discussions of your own.
Big Little Lies
by Liane Moriarty
Summary:
After last year’s best-selling The Husband’s Secret, Australian Moriarty brings the edginess of her less-known The Hypnotist’s Love Story (2012) to bear in this darkly comic mystery surrounding a disastrous parents' night at an elementary school fundraiser.
Thanks to strong cocktails and a lack of appetizers, Pirriwee Public’s Trivia Night turns ugly when sloshed parents in Audrey Hepburn and Elvis costumes start fights at the main entrance. To make matters worse, out on the balcony where a smaller group of parents have gathered, someone falls over the railing and dies. Was it an accident or murder? Who is the victim? And who, if anyone, is the murderer? Backtrack six months as the cast of potential victims and perps meet at kindergarten orientation and begin alliances and rivalries within the framework of domestic comedy-drama. There’s Chloe’s opinionated, strong-willed mom, Madeline, a charmingly imperfect Everywoman. Happily married to second husband Ed, Madeline is deeply hurt that her older daughter wants to move in with her ex-husband and his much younger, New-Age–y second wife; even worse, the couple’s waifish daughter, Skye, will be in Chloe’s kindergarten class. Madeline’s best friend is Celeste, mother of twins Max and Josh. It’s hard for Madeline and the other moms not to envy Celeste. She's slim, rich and beautiful, and her marriage to hedge fund manager Perry seems too perfect to be true; it is. Celeste and Madeline befriend young single mother Jane, who has moved to the coast town with her son, Ziggy, the product of a one-night stand gone horribly wrong. After sweet-natured Ziggy is accused of bullying, the parents divide into defenders and accusers. Tensions mount among the mothers' cliques and within individual marriages until they boil over on the balcony. Despite a Greek chorus of parents and faculty sharing frequently contradictory impressions, the truth remains tantalizingly difficult to sort out.
Deservedly popular Moriarty invigorates the tired social-issue formula of women’s fiction through wit, good humor, sharp insight into human nature and addictive storytelling. -- Kirkus Reviews
Discussion Questions
At the beginning of the novel, Madeline is enraged over Ziggy not being invited to Amabella’s birthday party. Why do you think Madeline becomes so angry about such a seemingly small injustice? Do you think Madeline is the kind of person who just looks for a fight, or do you think she was justified in feeling so upset? And do you think that by tackling both ends of the spectrum —from schoolyard bullying and parents behaving badly in the playground to displays of domestic violence in all its incarnations—that the author is trying to say something about the bullying that happens out in the open every day?
There is a lot of discussion about women and their looks. On the beach Jane’s mom shows that she has rather poor body image. Jane observes that women over 40 are constantly talking about their age. And Madeline says, “She didn’t want to admit, even to herself, just how much the aging of her face really did genuinely depress her. She wanted to be above such superficial concerns. She wanted to be depressed about the state of the world….” [p. 82] Do you think this obsession with looks is specific to women, particularly women of a certain age? Why or why not?
There are a lot of scenes in which the characters say they wish they could be violent: Jane says she wants to throw Ziggy into the wall when he has a tirade in the bathtub, that she would hit Renata if she was in front of her, and then she stops just short of kicking Harper. Do you think the author is trying to show the reader Perry’s side and have us sympathize with him? Or, rather, that feeling violent is a natural impulse but one that people learn to suppress?
When Ziggy has to do his family tree, Madeline comments, “Why try to slot fractured families into neat little boxes in this day and age?” [p. 184] A lot of Madeline’s storyline is about the complications that arise from the merging of new modern families. What kind of problems exist among families and extended families now that didn’t when you were a child?
When Jane recounts what happened the night she got pregnant, she focuses on what the man said rather than on what he did. Why does Jane feel more violated by two words – fat and ugly—than by the actual assault? Jane seems to think the answer is “Because we live in a beauty-obsessed society where the most important thing a woman can do is make herself attractive to men.” [p. 196] Do you agree?
The power of secrets is a theme throughout the novel. Jane remembers, “She hadn’t told anyone. She’d swallowed it whole and pretended it meant nothing, and therefore it had come to mean everything.” [p. 220] Do you think this is a universal truth, that the more you keep something secret, the more power it takes on?
Gwen, the babysitter, seems to be the only one to suspect what is going on with Celeste and Perry. Celeste then realizes she’s never heard Gwen talk about a husband or a partner. Do you think the author intended to intimate that perhaps Gwen had had an abusive husband or partner and that she left him? And in light of what happens at the end with Bonnie, do you think it’s only people who have personally experienced abuse who pick up on the signs?
At one point Jane thinks she and Ziggy will have to leave Pirriwee because “rich, beautiful people weren’t asked to leave anywhere.” [p. 362] Do you think different rules apply to rich people? Do you think being rich allowed Perry to get away with things longer than would have been likely if he hadn’t had money?
Bonnie says, “We see. We fucking see!” [p. 421] Were you surprised to learn about Bonnie’s history? Were you surprised to discover that all along Max had been seeing what Perry was doing to Celeste?
What did you make of the interview snippets to the reporter? Do you think the author used them almost like a Greek chorus to make a point?
Madeline muses, “Maybe it was actually an unspoken instant agreement between four women on the balcony: No woman should pay for the accidental death of that particular man. Maybe it was an involuntary, atavistic response to thousands of years of violence against women. Maybe it was for every rape, every brutal backhanded slap, every other Perry that had come before this one.” [p. 430] And then Madeline thinks, “ Sometimes doing the wrong thing was also right.” Do you agree with this statement? Do you agree with what the women decided to do? Do you think there’s a stronger bond between women than there is between men? Were you surprised that women who ostensibly didn’t like one another—Madeline and Bonnie, Madeline and Renata—ended up coming together to help one another out?
At one point in the book, Susi says that, in Australia, one woman dies every week because of domestic violence. In the United States, more than three women are murdered by their husbands or boyfriends every day. Every nine seconds in the United States a woman is assaulted or beaten. Domestic violence is the leading cause of injury to women—more than that caused by car accidents, muggings, and rapes combined. Are you surprised by these statistics? Why or why not? Clearly, the author chose Celeste—the picture-perfect mom and/ wife as well as an educated lawyer—to be the victim of domestic violence in order to make a point. Do you think it’s plausible that someone like her would fall victim to abuse such as this?
Madeline comments that “there were so many levels of evil in the world.” [p. 433] Discuss the implications of this statement in light of the novel and the novel’s different storylines.
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